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I am a humble chef, however, I will try to formulate my head in regards to the film, because it's so dear to my heart.
If men using a revolver gets from the train from the prologue of Sergio Leone's film, then he or she must have something to say. The silent wanderer keeps a bitter story deep in the heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and in their eyes you can observe the craze which includes accumulated over the years. He's not who he seems. The wanderer's name is Douglas Mortimer, an ancient military man and after this a bounty hunter. If viewers with the film listen on the words of your flabby old man chained to a bed (a funny grandpa appears closer to the center of the film), they are going to learn how the trains, these damned and noisy objects, are accountable for everything. Alas, but earthly hardships will not be limited to trains and Douglas Mortimer is comfortable with this, his problem is made up of bones, flesh and blood. The, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not simply revenge is in the centre on the plot of Sergio Leone's brainchild, because along with the retired colonel, you can find another hero from the film. Fast, accurate, discreet, another bounty hunter. At the very least curious, but at most wildly interesting, especially when the “one-armed” shooter is played by Bruce Lee in the realm of Westerns - Clint Eastwood. It's simple to guess that the paths of Mortimer along with the nameless shooter will cross on the planet with the wild west. The spaghetti is already from the pot.
In A Few Dollars More, phrases such as “in ten mins you may be smoking in hell” or “you require a new sheriff” are inevitable. The hero of Clint Eastwood is shown as a shooter whose abilities would be relevant in the science fiction novel, but everything is alleged can not be attributed to your disadvantages of your narrative. Maybe the most absurd moments inside the Western genre and in the skillful direction of Sergio Leone become salt for spaghetti, and the history in the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers within the screens, which are in all likelihood visited by such thoughts: ¬¬ “I'm wondering what could happen further? Will One-Armed and Colonel Mortimer find common ground? ” “A few dollars more” - shootings, chases, music of time, personifying the coming of death, here satire, coupled with foolishness, lives side by side with drama and ironically interpreted religious motives. And, finally, the tale shown by Sergio Leone is definitely the archetype of assorted paintings, where partnerships flow into friendship, though into a sort of friendship, during this friendship a buddy can shoot an associate while in the neck to ensure he is not killed from the thugs of the last boss. The fire is burning beneath the pan. The spaghetti starts to boil.
Sergio Leone's tape is a real classic with the genre, and this really is straightforward by the sound of bullets fired by the heroes, bank robberies and also the long glances that two shooters exchange prior to decisive shot, that shot that decides human destiny. The creators besides draw attention to their creation (and they do it well), but additionally touch on burning topics using some instances of the film, not being afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Moreover, it is above interesting to observe a bunch of Clint Eastwood and Lee Van Cleef - the heroes of the actual and new generation of westerns who, when i was in the photographs of Manco (One-armed) and Colonel Mortimer, now and continue to prove something together, competing within the possession of a revolver and doing of sieve hats. Hmm, something's heating up with the cooking, phew, you're ready to serve spaghetti for the table. Winnie, the guests are waiting, hurry up, they're hungry and have come to taste Leone's signature spaghetti. It is sometimes complicated to have an expressive chef to find a good helper these days. Spaghetti is served, but wait 60 seconds, dear guests.
Undoubtedly, Sergio Leone in the “A Few Dollars More” demonstrates to the world of cinema the lion's share of his talent and professionalism, and the image itself can be viewed hypertrophied dominating before the primary film in the trilogy, which attracted the eye with the expressive Akira Kurosawa. Years later, Leone's brainchild efforts to please a variety of people, as well as the film succeeds: those viewers who want a dramatic story have it, those that love shooting and duels are satisfied, and connoisseurs of satirical humor will likely be satisfied after watching. Structure music, you can speak briefly - Ennio Morricone. Dear listeners, perhaps I will be too excited, which makes my head a bit confused, but in the event you watch an incredible film of my fellow countryman at least once, you'll be convinced in the correctness of my words. However, I will not hide my bias, I really love the stories about the shooters of your wild west, where there are 2 different bounty hunters chasing exactly the same victim, but not the identical motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!
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